Peter Downsbrough

ARTISTS

PETER DOWNSBROUGH

Peter Downsbrough
Private Commission, 2006

SELECTED WORKS

	Peter Downsbrough Private Commission, 2006 Southern France
Peter Downsbrough Private Commission- Alternate View, 2006 Southern France
	Peter Downsbrough HERE, 2006 Bars: painted rectangular metal tube (1 1/4 x 1/4 inches) Text: painted metal plate (1/4 inch thick) Installation dimensions variable: approx. 4 3/4 X 54 1/8 inches Signed on accompanying certificate 17855
Peter Downsbrough But, 2006 Bars: painted rectangular metal tube (1 1/4 x 1/4 inches) Text: painted metal plate (1/4 inch thick) Installation dimensions variable: approx. 19 3/4 x 69 inches 17858
	Peter Downsbrough AS, 2006 Bars: painted rectangular metal tube (1 1/4 x 1/4 inches) Text: painted metal plate (1/4 inch thick) Installation dimensions variable: height is 49.21 inches 18783
Peter Downsbrough Installation View- And, 2006 Metal
	Peter Downsbrough AS/AND, 2006 Tape and vinyl letters 39.375 x 78 3/4 inches 17862
Peter Downsbrough TO, 2006 Tape and vinyl letters Square: 25 x 25 inches Text: 2 inches high Line: 75 inches long 17863
	Peter Downsbrough AS, 2006 Tape and vinyl letters Square: 25 x 25 inches Letters: 2 inches high 17862
Peter Downsbrough OR, 2006 Tape and vinyl letters 39.375 x 108 1/4 inches 17862
	Peter Downsbrough HERE, 2006 Tape and vinyl letters Tape and vinyl letters Text: 2 inches high Line: 75 inches long 17863
Peter Downsbrough FLUID Two wooden blocks and adhesive letters 1 1/4 x 1 1/4 x 7 7/8 inches each 20258
	Peter Downsbrough AS Three aluminum blocks and adhesive letters 1 x 1 x 6 inches each 20259
Peter Downsbrough BUT Three steel letters with black paint 2 inches high x 1/4 inches thick, each 20260
	Peter Downsbrough SET Engraved stainless steel wedge 1/2 x 4 x 5/8 inches 20261
Peter Downsbrough AS AS, 1995 Two woodblocks 8 1/4 x 1 7/8 x 1 7/8 inches each
	Peter Downsbrough 16, 1995 Portfolio of sixteen silkscreens on paper Portfolio of sixteen silkscreens on paper Paper: 15.35 x 15.35 inches each Image: 15.35 x 15.35 inches each Edition of 40 Stamped and numbered on portfolio
Peter Downsbrough Link, 1998 Set of nine silkscreens in folder 15.75 x 15.75 inches each 40 x 40 cm each stamped on inside of portfolio box Edition: 24
	Peter Downsbrough Untitled, 2001 Set of six photo-lithographs in red and black 15 3/4 x 15 3/4 inches each 40 x 40 cm each signed on back of each sheet Edition: 30
Peter Downsbrough Time As, 2001 Set of two lithographs 11.22 x 23.82 inches each sheet 28.5 x 60.5 cm Ed: 25
	Peter Downsbrough Untitled, 2001 Lithographs 23.62 x 11.81 inches Ed: 30
Peter Downsbrough 4 x 4 #1 (As, If, Or, To), 1999 Set of four silkscreens in envelope 7.87 x 7.87 inches each 20 x 20 cm each stamped and numbered on envelope Edition: 40
	Peter Downsbrough 4 x 4 #2 (En, Et, La, Ou), 1999 Set of four silkscreens in envelope 7.87 x 7.87 inches each 20 x 20 cm each stamped and numbered on envelope Edition: 40
Peter Downsbrough Untitled (Chatou), 1998 Set of eight typographs 11.81 x 11.81 inches each 30 x 30 cm each stamped on inside of portfolio box Edition: 24
	Peter Downsbrough Untitled (Chatou), 1998 Set of eight typographs 11.81 x 11.81 inches each 30 x 30 cm each stamped on inside of portfolio box Edition: 24 Exhibition View
Peter Downsbrough For, 1998 Set of five typographs 11.81 x 11.81 inches each 30 x 30 cm each stamped on inside of portfolio box Edition: 24
	Peter Downsbrough Nimes, 1996 Set of six typographs with title sheet in folder 11.81 x 11.81 inches each 30 x 30 cm each stamped on back of portfolio box, and signed and numbered 10/15 on back of one of the portfolio pages Edition: 15
Peter Downsbrough As, If, Or, To, 1995 Set of four silkscreened solid wooden blocks Each: 11.81 x 1.97 x 1.97 inches Installation dimensions variable Edition of 12 Stamped and numbered on accompanying certificate 17628
	Peter Downsbrough DE/LA, 2006 Two aluminum bars with engraved letters Each bar: 1/2 x 1 1/4 x 4 inches Edition of 25 20240
Peter Downsbrough BUT/ AS, 2006 Two aluminum bars with engraved letters Each bar: 1/2 x 1 1/4 x 4 inches Edition of 25 20242
	Peter Downsbrough Dice, 1984, published 2002 Three photographs from the set of 11 gelatin silver prints in a black linen covered box Image sizes: 9.84 x 13.78 inches Mat sizes: 20.47 x 20.47 inches Edition of 11 Stamped with edition size in back of box (17125)
Peter Downsbrough Dice, 1984, published 2002 Three photographs from the set of 11 gelatin silver prints in a black linen covered box Image sizes: 9.84 x 13.78 inches Mat sizes: 20.47 x 20.47 inches Edition of 11 Stamped with edition size in back of box (17125)
	Peter Downsbrough Dice, 1984, published 2002 Three photographs from the set of 11 gelatin silver prints in a black linen covered box Image sizes: 9.84 x 13.78 inches Mat sizes: 20.47 x 20.47 inches Edition of 11 Stamped with edition size in back of box (17125)
Peter Downsbrough Dice, 1984, published 2002 Two photographs from the set of 11 gelatin silver prints in a black linen covered box Image sizes: 9.84 x 13.78 inches Mat sizes: 20.47 x 20.47 inches Edition of 11 Stamped with edition size in back of box (17125)
	Peter Downsbrough Here, 1999-2005 Relief Print 11 x 11 inches 28 x 28 cm signed and dated on back Edition: 80
Peter Downsbrough Link, 2007 Relief Print 11 x 11 inches Edition: 100 18759
	Peter Downsbrough Vers, 1999-2005 Relief Print 11 x 11 inches Edition: 100 18762
Peter Downsbrough There, 1999-2005 Relief Print 11 x 11 inches Edition: 100 18753
	Peter Downsbrough But, 2007 Relief Print 11 x 11 inches Edition: 100 18755
Peter Downsbrough Time, 1999-2005 Relief Print 11 x 11 inches Edition: 100 18757
	Peter Downsbrough And, 1999-2005 Relief Print 11 x 11 inches Edition: 100 18760

DANIEL BUREN

ARTISTS

DANIEL BUREN

Daniel Buren
Unexpected Variable Configurations: A Work in Situ, 1998
Wall painted in a color with
hand-drawn grid and 25 screenprinted aluminum plates
Plates: 17 1/8 x 17 1/8 inches each
(43.5 x 43.5 cm)
installation size according
to the wall
Signed and numbered on certificate
20061

SELECTED WORKS

	Daniel Buren Unexpected Variable Configurations: A Work in Situ, 1998 Wall painted in a color with hand-drawn grid and 25 screenprinted aluminum plates Plates: 17 1/8 x 17 1/8 inches each (43.5 x 43.5 cm) installation size according to the wall Signed and numbered on certificate
Daniel Buren Twenty-five Enamel Plates-Alternate View, 1993 Wall painted in a color with 25 pieces of steel enameled in two colors to be mounted on a wall Plates: 17.13 x 17.13 inches each installation size according to the wall Limited to 15 installations Each installation is produced in a unique color Includes a signed and numbered certificate
	Daniel Buren Twenty-five Enamel Plates-Alternate View, 1993 Wall painted in a color with 25 pieces of steel enameled in two colors to be mounted on a wall Plates: 17.13 x 17.13 inches each installation size according to the wall Limited to 15 installations Each installation is produced in a unique color Includes a signed and numbered certificate
Daniel Buren Three Light Boxes for One Wall, 1989 3 electrical light boxes with silkscreen on plexi 23 1/2 x 31 1/2 x 3 1/2 inches, 31 1/2 x 31 1/2 x 3 1/2 inches, and 39 x 31 1/2 3 1/2 inches, Edition: 15 Each set of three boxes is unique in color
	Daniel Buren 1 + 2 = 3 (Triptych), 1998 Three-part woodcut on rag paper 19 3/4 x 15 3/4 inches each piece printed in red, yellow or green Edition: 60
Daniel Buren The Missing Square, 1993 Series of 55 unique 4-panel arrangements of 1-color lithographs 97 x 97 inches overall Edition: 55
	Daniel Buren Five Out of Eleven, 1989 Series of 55 unique 10-panel arrangements of 5-color lithographs 97 1/2 x 208 1/2 inches Edition: 55
Daniel Buren The Rotating Square - In and Out of the Frame, 1989 Series of 36 unique 1 color lithographs in unique rotational configurations 97 x 97 inches overall Edition: 36

Thierry Bouët

Newborn - 14

Esther Stocher

nstallationsansicht geometrisch betrachtet, Museum Moderner Kunst Stiftung Ludwig, Wien, 2008
Wood, dispersion, 939 x 3416 x 448 cm, Photo: Pez Hejduk

Installationsansicht Abstract thought is a warm puppy, 2008 Raumarbeit mit Holzstäbenund Dispersion, 10,75 x 12,10 x 3 m, CCNOA - Center for Contemporary Non-Objective Art, Brussels, Photo: Sacha Georg Installationsansicht What I don't know about space, 2008 Raumarbeit mit schwarzem Klebeband und Farbe, 3,69 x 10 x 2,8 m, MUSEUM 52, London, Photo: Andy Keate TONSPUR_passage / quartier 21, MQ Wien, 2006, pure color on wall, 4,5 x 20 m, Vienna, Photo: Esther Stocker O.T., 2006, installation consisting of 4 parts, wooden boards, color, 2 x 1 x 4, 25 m, Zacherlfabrik, Vienna, Photo: Peter Zacherl By a formal point of view a wall exists only as surface, as delimitation of body and space and a wall doesn´t know anything about the other one. (Feldtkeller) In der formalen Betrachtung existiert die Wand nur als Oberfläche, als Begrenzung von Körper und Raum, wobei im Prinzip die eine Seite der Wand von der anderen nichts weiß. (Feldtkeller) Dal punto di vista formale, la parete esiste solo come superficie, come delimitazione di corpo e spazio; per quanto, in linea di principio, una faccia della parete non sappia nulla dell'altra. (Feldtkeller) 2006, black dispersion and white masking tape on wall and floor, 7, 05 m x 6, 20 m x 4, 15 m ca., Galleria Contemporaneo, Mestre, Photo: Primoz Bizjak Silo Barth, 2006, nitro-cellulose lacquer on iron, 15, 7 x 21, 5 m, Brixen/Bressanone, Photo: Jürgen Eheim O.T., 2006, installation consisting of 2 parts (passageway), part 1: walkable, 7 x 1 x 2, 5 m, part 2: partly walkable, wooden boards, color,, 4, 7 x 1 x 2, 05 m, Galerie im Taxispalais, Innsbruck, Photo: Rainer Iglar O.T., 2006, installation, wooden boards, wooden panels, color, 13 x 12 x 3, 8 m, Galerie im Taxispalais, Innsbruck, Photo: Rainer Iglar I am afraid I must refuse, 2005, 47 sentences, refusing a request, project wall, © KUNSTHALLE Wien, Photo: Ellie Wyckoff The term "alike" may attract our attention, but in fact means nothing at all. (Frege) Das Wort "gleichartig" zieht unsere Aufmerksamkeit auf sich, und doch besagt es eigentlich gar nichts. (Frege) Il termine "affine" attrae la nostra attenzione anche se in realità non significa nulla. (Frege) 2004, masking tape on wall, wood boxes, 13, 3 x 5, 6 x 3, 4 m, AR/GE Kunst Galerie Museum Bozen, Photo: Martin Pardatscher What kind of objects are those that we presuppose? (Quine) Was sind das für Dinge, die wir voraussetzen? (Quine) Quali sono gli oggetti che presupponiamo? (Quine) 2005, wood construction, 8, 5 x 4 x 3, 2 m ca., Galerie Krobath Wimmer, Photo: W. Woessner O.T., 2006, Masking foil on window, 215 x 243 cm, Galerie Krobath Wimmer, Vienna, Photo: Wolfgang Woessner Wandarbeit Nr. 2, 2002, acrylic on wall, 616 x 532 cm, Secession, Vienna, Photo: Matthias Herrmann Wandarbeit Nr. 3, 2003, acrylic on wall, wood, 310 x 430 cm, Galerie Krobath Wimmer, Vienna, Photo: W. Woessner Wandarbeit Nr. 6, 2003, dispersion on wall, 12,5 x 18,5 m, Mariahilferstrasse 4, Graz, © LMJ Graz, Photo: Esther Stocker Wandarbeit Nr. 8, 2005, acrylic on wall, 380 x 466 cm, wallstreet one, Berlin, Photo: Esther Stocker O.T. , 2004, C-Print on aluminium, 49 x 37 cm O.T. , 2006, C-Print on aluminium, 49, 5 x 70 cm